Item not present in the shop
For security reasons this item is not present in our shop. We kindly request you to make an appointment one day in advance if you want to view the item.
Shipping
We don't declare under-value and as 'gift' for customs.
Custom duties and VAT in your own country may apply and the seller cannot be held responsible for additional costs. Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying.
Returns
If the customer decides to cancel / withdraw he will bear the risk, cost of all shipping and return import duties of the seller. The item will be packed very well and will be shipped insured. Money will be returned on arrival of the parcel, after been checked.
Beautifully crafted in Italy from python leather, this black clutch has a convenient detachable vanity mirror for quick touch-ups. Just big enough to hold your cards, keys and cell phone, it's the perfect evening accessory.
Please note that the items we sell are pre-owned and therefore might have minor imperfections.
Azzedine Alaïa's body-con designs defined the aesthetic of Paris in the '80s. Today, revered for his originality and innovation, Alaïa maintains his title of 'King of Cling'. The brand's intricate footwear, statement bags and laser-cut belts will elevate any look to new fashion heights.
If you ask any fashion professional what are the latest myths of haute couture that have just left us, Hubert de Givenchy and Azzedine Alaïa will be the first names quoted. Discreet, not talkative, Azzedine Alaïa, small by size and huge by talent, built since its birth in the early 40s in Tunisia to his death last winter an empire of style, far from bling bling and marketing. As for women and stars, they are totally addicted to its timeless work that hovers over the modes of sculptural dress in black and bright jacket.
Born to Spanish parents, raised by his grandmother in Tunis, he regularly attends Ciné Soir cinema where he discovers the stars he will eventually dress. He lies on his age to attend younger than expected the Fine Arts of Tunis, and flies to Paris where he found a place at Dior. Returned because he had no papers, he worked for Charles Jourdan: his first collection of shoes described as sadomasochist is not broadcast, but it notes a few journalists. He eventually settles on his own, and attracts all Paris, from Arletty to Greta Garbo through the dancers Crazy Horse. He does not make collections: he sews for clients, and his clothes are only available at the workshop. A certain idea of luxury, exclusivity, but also exceptional craftsmanship. Fascinated by the body, and the lower back, it exalts a feminine sensuality which makes women think that they have finally found the dress of their life.
He does not organize fashion shows; the models invest their apartment, Naomi Campbell, Linda Evangelista or Stephanie Seymour fight to wear his creations, or to dine in his Parisian kitchen alongside Tina Turner or Michel Rocard.
Alaïa could without exaggerated excessive being qualified of genius of the seam. Her clothes have become institutions, museum pieces ... Do not hesitate, Alaïa is deserved, is rare, and his style loving and respectful of women disappeared with him.